25 September 2024

WARNING: This article contains adult material and is intended for adults over the age of twenty-one.

On 10 August 2024, Jesus gives me a dream and I see a popular Hollywood actor in bed, inappropriately, with a young boy.  The bedroom is set up like a movie set.  The cameras are rolling, lights are beaming and I see a golden headboard on the bed with golden charms as one would see on a little girl’s charm bracelet, but these are larger, to the size of the headboard.  I look at the little boy and He’s compliant, as if he wants to be there, but the actor looks and is acting in a perverted manor.  Today is 25 September 2024 and Jesus tells me to release this vision.  If you are under twenty-one years of age, you shouldn’t go any further.  This content is intended for adults.

As Revealed to me by God, The Father and Christ Jesus, His Son: 

The scene Jesus gives me in my sleep is brief, but disturbing; sickening really and it makes me very angry.  My wife and I take the dream to Him and He tells me, “Let’s take a look,” opens my spiritual vision and I go back to the scene in my dream.  Before I go forward, allow me to explain.  I don’t write the names of influential people Jesus shows me in these visions unless He instructs me otherwise.  When I ask, “Sir, do I use this actor’s name?”  He tells me, “He’s one of many.  Use an alias to cover the multitude.  You know what to do.”  In this writing I will refer to this man as Ionas Kolonas. 

When Jesus opens my vision I see my hand reach out and smack Ionas Kolonas across his face.  I ask, “Did I just do that, Sir?”  He corrects me, “No you did not.  This is what your heart wants to do” and I immediately begin defending this little boy to Jesus.  For the reader, this vision was over a month ago and I can still see the little boy’s face in my mind and it makes me cry.  His hair is blonde, he looks no older than five or six and he looks so pleased to be in this situation, almost complacently.  The actor’s movements around this child are unsettling, perverted and seductive and I’m thinking, “Why is this being filmed?” 

At this time I see two angels who fly into the scene, from out of nowhere, and land in the bed; but their landing is not physical, like the bed doesn’t move, but they land on it.  Jesus is standing next to me and I understand these Fallen Angels cannot be seen and they are in the spiritual realm while Ionas Kolonas is in the physical realm.  The little boy can’t see them.  I see the boy being positioned, physically, by the Fallen Angels, in the spirit, and the Fallen Angels begin raping this little boy at both ends.  There’s a light struggle by the boy, but he’s quickly overwhelmed by the spiritual beings and Ionas Kolonas is participating, but not in the intercourse.  

I don’t say a word, but in my mind, I petition to Jesus, “Can we save this little boy?”  Jesus doesn’t reply and I see Ionas Kolonas reach up and ring one of the charms on the headboard of the bed, like a bell.  It’s as if he’s ringing the charm.  I tell Jesus, “I really don’t like looking at this scene, Sir,” but again, He doesn’t reply and I see that the Fallen Angels are finished and take off, leaving the bed.  The little boy sits up, looking ravished and Ionas Kolonas sits up, proudly.  The little boy doesn’t have the smug look on his face anymore, rather, he looks terrorized.  Ionas Kolonas is still acting seductively and I think to myself, “He didn’t finish like the Fallen Angels did.”  Ionas Kolonas jumps on the little boy’s back and, this time, he’s the one having sexual intercourse with the young boy.       

I am so disgusted at what I’m seeing.  I’m becoming outraged, Jesus hasn’t spoken and I want to hurt this man.  He looks like a whale to me, on the back of this little boy and I ask again, “Jesus, is there any way to stop this?”  Jesus speaks for the first time since the angels entered and tells me, softly, “No.  They’ve made their decisions.  They know what they want.  They have free will.  My Father gave them free will and we must honor it.”  I look back at the bed, see Ionas Kolonas is done with the boy and see him strangling the child.  There’s not much fight left in the boy and he goes out, unconscious.  Ionas Kolonas grabs a sword and plunges it into the stomach of this unconscious boy.  Ionas Kolonas rips the sword up to the chest, reaches down and cracks the little boy’s ribcage open, exposing his organs.  He grabs the boy’s heart, pulls it out and begins to eat it. 

When I was a young teen, I watched a movie with my best friend called Highlander.  In this movie the immortals would fight to the death and the winner would receive the energy and spirits from the looser.  At the end of the fight, spirits would fly out of the loser’s body and circle the room.  The winner would say, “There can be only one” and the spirits of the slain warrior would fly into the winner of the sword fight. In the movie, they call this the Quickening and this is the closest thing I can give you to describe what I witnessed after Ionas Kolonas ate the boy’s heart.  I see him sitting in the bloody bed, receiving the spirits that come out the dead boy, without all the stormy, windy, musical theatrics included in the movie link I provide in the last sentence. 

The bed is a bloody mess and Ionas Kolonas’ face looks different.  He looks like a monster.  The one’s filming never flinched and filmed everything as if this were just another movie.  I feel Jesus telling me in my spirit, “Snuff film.  Blackmail” and I hear a conversation from before this event and the filming.  I hear Ionas Kolonas say, “How can I do all these things?”  I hear, who I understand to be, the director encouraging him, saying, “They will come and help you through the process” and I know the director is referring to the Fallen Angels.  I’m looking at Ionas Kolonas, sitting in the bloody bed and he’s filled with some kind of demonic power.  He looks like a drug addict; like someone high on ecstasy, something like this.  He’s human, but he looks inhuman.  I was very angry at this man, but I tell Jesus, “Now, I feel sorry for him.”  I feel like he’s caught up in something he really doesn’t understand and can’t control, then I hear these words from Jesus, very firmly, “Oh, he’s complicit” and then tells me, “The child is Mine.  He will be with Me.  These deceived ones will burn in some of the worst areas of Hell if they don’t repent for the things they’re doing.  The business they’ve found themselves in, the one they’ve desired, has bound them to the Lake of Fire.  They celebrate themselves in front of humanity, while they deprave themselves in front of God the Father.  He will not stand for this.  It’s gone on for far too long.  They deceive My children and sacrifice innocents to their gods for fame, power, money, and a position in the Kingdom of Darkness, which will never end up as promised.  They won’t get what they’re told they’re getting; they’ll just end up slaves.”  The message doesn’t change, but the tone does and The Father begins speaking.  

He says, “Despite the scene I’ve just shown my servant, I can forgive these for their horrendous acts.  That’s My nature.  I’m willing to extend forgiveness to those who ask Me despite the severity of the crime.  It’s who I am.  Some of these will come to Me, the ones who partake in this filth, and I will accept their plea for forgiveness, pulling them out of the fire and into My kingdom because that is who I am.  My ways are not your ways.  This is a call to Hollywood.  Many of you have found yourselves deep in something you didn’t understand and they’ve changed you into what they are.  This is not who I made you to be.  Most of you have been born into this and you know no other way.  I will forgive you, too, but you must walk away from that kingdom and come to Me.  I will set you free and put you under My wings for protection.  I will stand you up on your own, make you bold and we will expose their pit of deception and lies, together, you and Me.  You know who you are.  Come to Me now.  It’s time.  Babylon is burning” and He tells me, “Write this to those in bondage.”

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T. McDaniel * The Project